電子場刊 E-House Programme

2022年12月31日 20:00
澳門文化中心綜合劇院
Centro Cultural de Macau – Grande Auditório
Macao Cultural Centre Grand Auditorium

指揮／林敬基
Maestro ／Ken Lam
Conductor / Ken Lam

曲目| Programa | Programmes

1.愛德華．班傑明．布瑞頓：《簡易交響曲》作品4
I.喧鬧的布雷舞曲

2.安東尼奧．維瓦爾第：《四季》之《冬》
I.不太快的快板
II.廣板
III.快板

3.彼得．伊利奇．柴可夫斯基：C大調弦樂小夜曲 作品48
I.小奏鳴曲形式
II.圓舞曲
III.悲歌
IV.終曲 (俄羅斯主題)

4.伊曼紐．塞裘聶：馬林巴琴協奏曲
I.靈活的節奏
II.有節奏的，充滿活力的

5.愛德華．艾爾加：《引子與快板》作品 47

1.Edward Benjamin Britten: “Sinfonia Simples”, Op. 4
I.Boisterous Bourrée

2.Antonio Vivaldi: “Inverno” do “Quatro Estações”
I.Allegro non molto
II.Largo
III.Allegro

3.Pyotr Ilyich Tchaikovsky: Serenata para Cordas em Dó Maior, Op. 48
I.Pezzo in forma di sonatina
II.Valse
III.Élégie
IV.Finale (Tema Russo)

4.Emmanuel Sejourne: Concerto para Marimba e Cordas
I.Tempo flexível
II.Rítmico, enérgico

5.Edward Elgar: Introdução e Allegro, Op. 47

1.Edward Benjamin Britten: “Simple Symphony”, Op. 4
I.Boisterous Bourrée

2.Antonio Vivaldi: “Winter” from “Four Seasons”
I.Allegro non molto
II.Largo
III.Allegro

3.Pyotr Ilyich Tchaikovsky: Serenade for Strings in C Major, Op. 48
I.Pezzo in forma di sonatina
II.Valse
III.Élégie
IV.Finale (Tema Russo)

4.Emmanuel Sejourne: Concerto for Marimba and Strings
I.Tempo souple
II.Rythmique, energique

5.Edward Elgar: Introduction and Allegro, Op. 47

演出連中場休息約1小時30分鐘
Aproximadamente 1 hora 30 minutos, incluindo um intervalo
Approximately 1 hour and 30 minutes, including one interval

樂師名單 | Músicos | Musicians

指揮 / Maestro / Conductor
林敬基 Ken Lam

第一小提琴 / Primeiros Violinos / First Violins
Tarn Travers (客席樂團首席 / Concertino convidado / Guest Concertmaster)
郭慶 Guo Qing (代理樂團副首席 / Concertino Associado substituto / Acting Associate Concertmaster)
邢慧芳 Xing Huifang ++
李思蕾 Li Silei
楊柯岩 Yang Keyan
陳琰樂 Chen Yanle
吳宇彤 Ng U Tong *
楊浩然 Yeung Ho-Yin Victoria Kathleen *
馮卓賢 Fung Cheuk Yin *
郭健文 Kwok Kin Man Jeo *

第二小提琴 / Segundos Violinos / Second Violins
李娜 Li Na **
韋特．普拉錫格 Vit Polasek
郭康 Guo Kang
李文浩 Li Wenhao
鄭麗琴 Zheng Liqin
周琛 Zhou Chen
王灝 Wang Hao
陳心如 Chan Sam Yu Sammi*
陳進 Chan Chon *
郭宬晞 Kwok Shing Hei Edwin *

中提琴 / Violas / Violas
李峻 Li Jun ++
金基烈 Kiyeol Kim
李月穎 Li Yueying
何楊晴 Ho Ieong Cheng*
KUN YAN 顏坤*

大提琴 / Violoncelos / Cellos
魯岩 Lu Yan ++
鄺葆莉 Kuong Pou Lei
拉狄．奈華德 Radim Navrátil
梁俊恆 LEONG CHON HANG *

低音提琴 / Contrabaixos / Double Basses
陳超 Chen Chao ++
張豐哲 Zhang Fengzhe *
何家碧 Ho Ka Pek *
沈傑 Sam Kit *

打擊樂 / Percussão / Percussion
Jiyoung Kim *
Chaeyeong Lee *

鍵盤樂器/ Keyboard
潘澔雪 Poon Ho Suet *

** 聲部首席 / Chefe de Naipe / Section Principal
++ 代理聲部首席 / Chefe de Naipe, substituto / Acting Section Principal
## 客席聲部首席 / Chefe de Naipe convidado / Guest Section Principal
* 客席樂師 / Músico convidado / Guest Musician

林敬基
指揮

林敬基，現任天津茱莉亞學院管弦樂表演專業總監、天津茱莉亞管弦樂團駐團指揮，同時擔任伊利諾伊州交響樂團藝術顧問、北卡羅萊納州布里瓦德音樂中心駐場指揮以及香港和聲藝術總監。

2015至2022年，林敬基任查爾斯頓交響樂團音樂總監; 並於2017至2022年，擔任伊利諾伊州交響樂團音樂總監。 此前，他還擔任過巴爾的摩交響樂團教學專案副指揮、辛辛那提交響樂團助理指揮和香港室內樂團首席指揮。
2011年，林敬基榮獲孟菲斯國際指揮大賽的冠軍，並於2009年在美國交響樂團聯盟舉辦的華爾特指揮預演中指揮納什維爾交響樂團。 2008年，他與另外三位指揮被萊昂納多· 斯拉特金選中，在甘迺迪中心指揮美國國家交響樂團，這是他在美國的正式首演。 近年間，他還曾指揮辛辛那提交響樂團、辛辛那提流行管弦樂團和巴爾的摩、底特律、布法羅、孟菲斯、夏威夷、布里瓦德、莫裡迪恩等地的交響樂團，以及香港小交響樂團、香港管弦樂團、韓國城南市立交響樂團、貴陽交響樂團和臺北市立交響樂團等。

在歌劇方面，他曾為布里瓦德音樂中心珍尼克歌劇院的多個製作執棒，並在辛辛那提歌劇院、巴爾的摩抒情歌劇院和卡斯爾頓音樂節擔任助理指揮。 近年來，他在美國斯波萊托藝術節、紐約林肯中心藝術節以及多倫多光影藝術節指揮過多部歌劇作品，廣受讚譽。 2010年，他在皮博迪音樂學院指揮馬斯奈的《曼儂》，被《巴爾的摩太陽報》評為華盛頓及巴爾的摩地區十大古典音樂節目。

林敬基曾於美國皮博迪音樂學院跟隨古斯塔夫· 邁爾和馬坎德· 塔卡學習指揮、於阿斯本的美國指揮學院隨大衛· 津曼和穆裡· 西德林學習，並於美國國家指揮學院隨萊昂納多· 斯拉特金學習。 在成為職業指揮之前，林敬基在英國劍橋大學聖約翰學院修讀經濟，並當過十年執業律師，從事國際金融業務。
2015年，美國約翰· 霍普金斯大學校友會為林敬基頒發全球成就獎，以表彰他對該校優良傳統的傳承，並肯定他為學校及其專業領域作出的卓越貢獻。

Ken Lam
Maestro

Ken Lam é director de estudos orquestrais na Escola Juilliard de Tianjin e maestro residente da Orquestra Juilliard de Tianjin, além de conselheiro artístico da Orquestra Sinfónica de Illinois, maestro residente do Centro de Música Brevard na Carolina do Norte e director artístico do Hong Kong Voices.

Lam foi director musical da Orquestra Sinfónica de Charleston de 2015 a 2022 e director musical da Orquestra Sinfónica de Illinois de 2017 a 2022. Também ocupou cargos de maestro associado para a educação da Orquestra Sinfónica de Baltimore, e foi maestro assistente da Orquestra Sinfónica de Cincinnati, e maestro titular da Orquestra de Câmara de Hong Kong.

Em 2011, ganhou o Concurso Internacional de Regência da Orquestra Sinfónica de Memphis e foi um maestro de destaque em 2009, com a Sinfónica de Nashville, na Pré-estreia Nacional de Maestros Bruno Walter, da Liga das Orquestras Americanas. Lam iniciou a sua carreira profissional em Junho de 2008 nos Estados Unidos, com a Orquestra Sinfónica Nacional, no Kennedy Center, sendo um dos quatro maestros escolhidos por Leonard Slatkin. Em temporadas recentes, regeu as orquestras Sinfónicas de Cincinnati e Cincinnati Pops, e as orquestras de Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard e Meridian, bem como a Sinfonietta de Hong Kong, a Filarmónica de Hong Kong, a Filarmónica de Seungnam, a Sinfónica de Guiyang e a Orquestra Sinfónica de Taipé.

Na ópera, Lam dirigiu inúmeras produções da Companhia de Ópera Janiec em Brevard e foi maestro assistente na Ópera de Cincinnati, na Ópera Lírica de Baltimore e no Festival de Castleton. Nas últimas temporadas, Lam liderou produções aclamadas pela crítica no Festival Spoleto e no Festival Lincoln Center, nos EUA e no Festival Luminato no Canadá. A sua direcção da ópera Manon, de Jules Massenet, no Conservatório Peabody foi aclamada pelo diário Baltimore Sun como um dos dez melhores eventos clássicos na área de Washington DC/Baltimore em 2010.

Lam estudou regência com Gustav Meier e Markand Thakar, no Conservatório Peabody, com David Zinman e Murry Sidlin na Academia Americana de Regência em Aspen, e com Leonard Slatkin no Instituto Nacional de Regência. Também estudou economia no St. John’s College, na Universidade de Cambridge e foi advogado especializado em finança internacional durante dez anos antes de se tornar regente.

Lam foi galardoado em 2015 com o Prémio de Realização Global da Associação de Antigos Alunos da Universidade John Hopkins, concedido a pessoas que honram a tradição de excelência da Johns Hopkins e que prestigiaram a Universidade e a sua profissão na arena internacional.

Ken Lam
Conductor

Ken Lam is director of orchestral studies at The Tianjin Juilliard School and resident conductor of the Tianjin Juilliard Orchestra. He is artistic adviser of the Illinois Symphony Orchestra, resident conductor of the Brevard Music Center in North Carolina and serves as artistic director of Hong Kong Voices.

Lam was music director of the Charleston Symphony Orchestra from 2015 to 2022 and music director of Illinois Symphony Orchestra from 2017 to 2022. Previously, Lam also held positions as associate conductor for education of the Baltimore Symphony Orchestra, assistant conductor of the Cincinnati Symphony Orchestra, and principal conductor of the Hong Kong Chamber Orchestra.

In 2011, Lam won the Memphis Symphony Orchestra International Conducting Competition and was a featured conductor in the League of American Orchestra’s 2009 Bruno Walter National Conductors Preview with the Nashville Symphony. He made his US professional debut with the National Symphony Orchestra at the Kennedy Center in June 2008, as one of four conductors selected by Leonard Slatkin. In recent seasons, he led performances with the symphony orchestras of Cincinnati and Cincinnati Pops, Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard and Meridian, as well as the Hong Kong Sinfonietta, Hong Kong Philharmonic, Seungnam Philharmonic, Guiyang Symphony, and the Taipei Symphony Orchestra.

In opera, he directed numerous productions of the Janiec Opera Company at Brevard and was assistant conductor at Cincinnati Opera, Baltimore Lyric Opera and at the Castleton Festival. In recent seasons, Lam led critically acclaimed productions at the Spoleto Festival USA, Lincoln Center Festival and at the Luminato Festival in Canada. His run of Massenet’s Manon at Peabody Conservatory was hailed by the Baltimore Sun as a top ten classical event in the Washington D.C/Baltimore area in 2010.

Lam studied conducting with Gustav Meier and Markand Thakar at Peabody Conservatory, David Zinman and Murry Sidlin at the American Academy of Conducting at Aspen, and Leonard Slatkin at the National Conducting Institute. He read economics at St. John’s College, Cambridge University and was an attorney specializing in international finance for ten years before becoming a conductor.

Lam is the 2015 recipient of the John Hopkins University Alumni Association’s Global Achievement Award, given to individuals who exemplify the Johns Hopkins tradition of excellence and have brought credit to the University and their profession in the international arena.